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Powdered Veil

The skin we’re in is sixteen percent of our overall body weight and the largest organ we possess; calibrating a vast array of stimuli that can raise us to ecstasy or bring us to our knees, supplicant in agony. We pierce, ink and cut our surfaces but also soothe, salve and ritualise. Without skin, perfume is nothing but molecules hanging in time; complex blended accords, intricate structures waiting for the heat of throat, thigh, wrist and collarbone. It is this delicious legerdemain of perfume expanding and projecting from the body that makes the wearing of scent so utterly compelling.

Miller Harris is besotted with flowers; they explode through their stores, social media and of course their gorgeous library of perfumes such as Tuberosa, Rose Silence, Coeur De Jardin and Le Jasmin among others. The House has been innovating in recent years, things are shifting; there is neon and painted petals amid the flora. Poetry, painting, botany, photography and disruptive beauty are flourishing amid the dazzling flora. Graffiti flowers and dazzling sci-fi boulders are part of the dream, perfumes inspired by jazz age novels and the satisfying thrill of city foraging…pockets of wild London, hidden away amid looming blocks and old architectural byways.

For their latest launches, Peau Santal and Powdered Veil, Miller Harris has laid flora gently to one side for an imagining of dream skin, how perfumes diffuse and adore our surfaces. I have been wearing them for a while now, on their own and even more deliciously layered together, creating a mix of vanillic woodiness dusted with butterfly wing delicacy. They are private scents, a genuine comfort amid the cacophony of modern perfumery.

On its own Powdered Veil is like a second skin, it melds effortlessly with your own; perhaps not the most persistent of perfumes, but then one of the great pleasure of quiet odours is the reapplication of the experience. I am looking forward to the decent into autumn when Powdered Veil and Peau Santal will be beautiful not just on skin but also on cashmere scarves, tweed jackets and folded silk pocket squares. A soft autumn in moreish skin-close perfume. Perfect.

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